H-Net Job Guide Weekly Report for H-Announce: 28 February - 7 March
Your network editor has reposted this from H-Announce. The byline reflects the original authorship.
H-Labor-Arts focuses on discourses on labor including the arts, cultural and creative industries. It seeks to bring together participants with shared interests but diverse fields of study, including artists, anthropologists, designers, crafters, curators, historians, labor activists, cultural theorists, and educators. Thus, it addresses interdisciplinary, multidisciplinary and transdisciplinary approaches in labor arts studies for a broad-based discussion on, but not limited to, the cultural and artistic artifacts of labor movements and of working people over the course of history. We also encourage artists, crafters, entrepreneurs and labor activists to tell their stories through personal narratives, so as to add to the conversation and to advance important lessons gained through personal experiences. Consequently, illuminating positions and ideas on the cultural, artistic artifacts and contributions of working people will emerge.
The banners, placards, buttons, paintings, photographs, cartoons and songs that have moved workers to action on many fronts over the years are the focus of the discussion; images of many of the items under discussion can be found on the web museum LaborArts.org. LaborArts.org is an organization that ‘gathers, identifies and displays images of …cultural artifacts in order to encourage more people …to appreciate the history of work and working people.’ We're on Twitter @HLaborArts and Instagram h.labor.arts.
Editors and subscribers are free to start discussions provided that they address and inform Labor Arts. To that end, we ask that contributions be considerate, and as such, the lead editor retains the right to review material for its pertinence, tone, style, and relevance to the network's mission.
If you are interested in becoming a network editor and take an active role in developing new, open-access online materials and resources for the field we would love to hear from you. We are currently looking for contributors, bloggers, discussants, resources and learning and teaching editors. If you are interested in helping us build this network, email us or please see our recruitment page for further details.
H-Labor-Arts is developing its 'Book Work' resources and we are interested in interviewing authors whose work focuses on labor arts including cultural and creative industries. If you are interested please contact us we will be happy to hear from you.
Your network editor has reposted this from H-Announce. The byline reflects the original authorship.
Your network editor has reposted this from H-Announce. The byline reflects the original authorship.
The following reviews were posted to the H-Net Commons between
28 Feb 2022 and 07 Mar 2022.
Reviewed for H-Urban by Eric G. Zuelow
Your network editor has reposted this from H-Announce. The byline reflects the original authorship.
Your network editor has reposted this from H-Announce. The byline reflects the original authorship.
Your network editor has reposted this from H-Announce. The byline reflects the original authorship.
H-Labor-Arts features a special collection of contributions
from the Grohmann Museum.
Carl Spitzweg, The Poor Poet, 1837, oil on canvas, 14.5 x 17.75 in.
Ludwig Knaus, Potato Harvest, 1889, oil on panel, 33 x 47 in.
Julien Dupré, Stacking Grain Sheaves, oil on canvas, 20.5 x 25.5 in.
Frtiz Gärtner, Bread and Iron, oil on canvas, 29 x 43 in.
Erich Mercker, Large Steel Mill, ca. 1920, oil on canvas, 31 x 43 in.
Hans Müller, Duisburg Copper Mill, ca. 1920, oil on canvas, 32 x 40.
Max Liebermann, Study of The Flax Barn in Laren, 1886, oil on panel, 20.5 x 31 in.
Otto Hoffman, Moving the Stone, ca. 1910, bronze, 28.5 in.
Peder Severin Krøyer, Three Smiths at Hornbæk, Denmark, 1877, oil on canvas, 37 x 46 in.
Marten van Valckenborch, Fantastic River Landscape With lronworks, 1609, oil on canvas, 38 x 65.5 in.
Erich Mercker, August-Thyssen Hütte (August-Thyssen Steel Works), Kunst dem Volk, August 1939.
Erich Mercker, Im Reiche der Hochöfen (Rheinhausen Steelworks, Duisburg, Germany I), 1969 (later version of a 1942 painting), oil on canvas, 40¾ ✕ 59½ in., signed l.r. Grohmann Museum, Milwaukee School of Engineering, Milwaukee, Wisconsin.
Erich Mercker, Bridge Construction with Arches, 1969 (later version of a 1930s painting), oil on canvas, 23½ ✕ 31½ in., signed l.r. Grohmann Museum, Milwaukee School of Engineering, Milwaukee, Wisconsin.
Fritz Jacobsen, Autobahn Bridge Construction, oil on board, 31 x 42 in., ca. 1937. Collection of the Grohmann Museum, Milwaukee, Wisconsin.
Hans Kortengräber, Thyssen’s Meiderich Steel Works by Night, oil on board, 42 x 58 ½ in. Collection of the Grohmann Museum, Milwaukee, Wisconsin.
Fritz Gärtner, Fire and Grain Sheaves, oil on board, 27 ½ x 39 in., 1914. Collection of the Grohmann Museum, Milwaukee, Wisconsin.
Willy Nus, Transporting Large Heated Workpiece, oil on canvas, 31 ½ x 47 in., ca. 1910. Collection of the Grohmann Museum, Milwaukee, Wisconsin.
Hans Dieter Tylle, Eisenwalzwerk (Iron-Rolling Mill), reproduction of the original painting by Adolph Menzel, oil on canvas, 62 ½ x 100 ¼ in., 2004. Collection of the Grohmann Museum, Milwaukee, Wisconsin.